Bringing Home Revenant Wight
The figure in hand is Rocket Boy’s Revenant Wight from Taimanin RPGX, in 1/6 scale. Sculpted by Gebobo, painted by Kimura, and worked up from Ban!’s standing artwork; about 34 cm tall with the weapon set aside.
Written as death spirit knight, read as Revenant. Wight is a Wraith, one of the higher demons, able to lend the dead a borrowed life and set them moving, and she stands first among those who serve Teutates, the Wraith Lord. Anyone she has touched she can wear — the shape and the memories up to the moment of contact both come away with her, which is where her other name, the Yellow Yaksha, comes from. There is a line somewhere about her having once been a human Taimanin, and nothing after it. In Taimanin RPG she is filed under healer, with a revive; getting the dead back on their feet is at least consistent.
Product Specifications
| Name | Revenant Wight |
| Series | Taimanin RPGX |
| Manufacturer | Rocket Boy |
| Release Date | Dec 24, 2025 (JST) |
| Scale | 1/6 |
| Size | Approx. 34 cm tall (weapon excluded) |
| Price | 31,900 yen (tax included) |
| Material | PVC, ABS |
| Sculptor | Gebobo |
| Painter | Kimura |
| Character Illustration | Ban! |
| Accessories | Base and interchangeable parts (bangs, chest) |
| Bonus | Illustrated postcard of Revenant Wight (online purchase bonus) |
| JAN | 4573343560662 |
Review
The character first. The skin is clean and pale; the body is what the artwork promised. The areolae are the puffy type, and the paint on them is thin — just heavy enough to read against skin this pale, and no heavier. The hair drains from bright blonde into a soft ice blue at the tips, and neither the layering in the irises nor the red line at the outer corner of each eye breaks down when you get close.
In the source material Wight fights by swinging a weapon like a meat tenderizer, roughly her own height, and flattening whatever it lands on. The armor is black and purple: purple running the edges, red eyes set into the plates. The mask is gunmetal on the center plate and metallic violet on the blades around it, flaked finely enough that the highlight travels across the faces of the blades as you turn her.
Swap the bangs and the mask comes off. Underneath, as the maker says, is a face wearing a small smile. I tried it once, and the moment the smile appeared the expression went vacant on me. The Wight of the artwork is a knight who only ever shows half a face, and her weight sits in the look coming out from behind the mask. Bring the whole face out and what is left is an ordinary blonde girl.
The crown and the shorts are both magnetic, and the magnet in the shorts is much the weaker of the two — a small knock looks like enough to drop it. The cape is there to use or leave off; fitting it takes some work, and it lifts paint from whatever it rubs against on the way, so it has to be done slowly.
Verdict
On sculpt and paint there is little to fault. The pale skin, the commanding build, the layering in the eyes, the metallic armor, and that enormous hammer. Ban!’s artwork is realized to the letter.
The problems you will meet are the magnet in the shorts, fitting the cape and the paint it lifts, and the vacant face under the mask. She is a figure to set down and look at, not one to keep taking apart and putting back together.
